Fun segment about Jonny Manziel and Canadian basketball players. Apparently we are too laid back as a country to be basketball stars. Someone needs to tell Steve Nash.
Just watch this. It doesn’t matter whether you like sports or not, you just need to watch it. The bad news is that this kind of attitude goes beyond football, if you doubt me, read this sickening account of Floyd Mayweather that Deadspin published.
So if you are like me, you own a Pentax DSLR. You love your camera but the lens selection is paltry compared to Canon or Nikon and of course you hear photographers tells you that there isn’t the good glass to go with Pentax. Even many local camera shops don’t have a great section despite them selling a lot of Pentax K-3 and K-5 IIs cameras in the last year.
So what do you do? First of all you take a look around online and see what is there. If you are reading this page, there is a good chance that you are doing just that. To help you with your search, I have listed around 25 lenses that would all make great additions to any photographers bag.
If you have no idea which lens you want to purchase, ask your local camera shop for advice or check out this video from Pentax.
Ricoh has more about the available Pentax lenses here.
So the next time someone tells you there are not great lenses for the Pentax cameras, remind them of what is out there. There is some amazing and professional quality glass for your camera.
Each link on the post goes to Amazon.com which offers you some purchasing options and price for each lens. Since lens price is often moving, it’s easier to check them out there.
Normal Lenses: In photography and cinematography, a normal lens is a lens that reproduces a field of view that generally looks “natural” to a human observer under normal viewing conditions, as compared with lenses with longer or shorter focal lengths which produce an expanded or contracted field of view that distorts the perspective when viewed from a normal viewing distance.
This versatile Pentax 35mm DA L F2.4 AL Lens is considered a standard, normal focal length lens for the Pentax DSLRs it was designed for, but it’s a great lens to own, even if you only have one lens. This 35mm lens (equivalent to 52.5mm in 35mm format) is ideal for family photos, portraits, landscapes and a lot more. The fast f2.4 maximum aperture helps you get pictures even in low-light situations, and it provides high-resolution images with edge-to-edge sharpness. An aspherical lens element helps to compensate for spherical aberration to maximize image quality, and PENTAX Super Protect (SP) coating helps repel dust, water, and grease–making the lens easier to clean.
The 35mm f/1.4 DG HSM Lens for Pentax DSLR Cameras from Sigma is the first entry into Sigma’s Art series of professional lenses, with an emphasis on artistic expression and the creative potential of the lens. With a bright f/1.4 maximum aperture, floating inner focusing system, and Hyper Sonic Motor (HSM) you’ll have quick and accurate control over the artistic effects achieved by the lens’ high quality elements.
For wide angle photography, this 35mm lens and its circular 9-bladed f/1.4 aperture ensure excellent brightness and blurred background (bokeh) effects. The Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even in backlit conditions.
The lens’ Hyper Sonic Motor (HSM) and floating inner focusing system ensure that you experience quick, quiet and precise autofocusing whenever you need it. Adjust focus using either autofocus (AF), or full-time manual focus, without having to switch camera modes or change settings – just flick the switch from AF to MF.
For greater build quality and strength, all metallic parts and the new Thermally Stable Composite compound material (TSC), are housed internally. Its brass made bayonet mount has both high accuracy and durability, and a special treatment is applied to its surface giving it greater strength and making it highly resistant to long-term daily use.
The smc DA 50mm f/1.8 Lens from Pentax is a fast and inexpensive f/1.8 lens for cameras with a Pentax K mount. Mounted to a camera with an APS-C sensor, this lens gives an angle of view equivalent to a 76.5mm telephoto lens–ideal for portraits. The wide f/1.8 aperture makes this an essential lens for working in low light, and it also delivers beautiful bokeh (the out-of-focus portion of a photograph). This lightweight (4.3 oz) lens is very compact–just 1.5″ (3.8 cm) long.
A standard lens for Pentax autofocus cameras with a bright f/1.4 aperture. The SMCP-FA 50mm f/1.4 is an excellent choice for lowlight handheld photography, and effectively becomes a brilliant short telephoto portrait lens when used with your Pentax DSLR. The Pentax Super Multi Coating process provides the highest possible transmission of light.
Portrait Lenses: a prime lens with a relatively high aperture and usually a means for softening definition in taking portraits
The Pentax 55mm f/1.4 DA* SDM Autofocus Lens is a compact and bright short-telephoto lens of the highest order, made exclusively for Pentax digital SLR cameras. In a stocky housing ready for harsh conditions, you’ll get a bright f/1.4 aperture-worlds away from the experience you’re used to with more common zooms-that opens up new creative doors to you as a photographer.
This lens was born to shoot between f/1.4 and f/2.8, and comes with a 9-bladed aperture diaphragm which shows up as perfectly round when you stay between f/1.4-2.8. Shoot dramatic portraits with bright point light sources behind the subject, and you’ll be dazzled with lovely diffuse, circular out-of-focus highlights that make everybody look better. Beyond portraits, this lens works well any time you would use a moderate telephoto focal length.
When you need a medium-telephoto standard lens for everything from portraiture to sports, the fast Sigma 85mm f/1.4 EX DG HSM Lens for Pentax Digital SLRs is a great solution. This large aperture beauty is designed with an SLD (Special Low Dispersion) glass element and a glass mold element which yield first-class, sharp image captures with high contrast.
The 85mm f/1.4 has Sigma’s HSM (Hyper Sonic Motor) which provides fast, accurate and quiet autofocusing. The exterior of this lens is EX-finished which translates to a superior build and optical quality, enhanced handling and appearance. It comes with a petal-type hood to block out extraneous light. A dedicated hood adapter for cameras with an APS-C size image sensor is also included to expand the length of the hood for blocking out extraneous light more effectively.
This fast f/1.4 lens is great for capturing fast moving images, allowing you to use faster shutter speeds, and is what you want when shooting under low lighting conditions. This highly efficient lens has a nine blade circular diaphragm for creating pleasant out-of-focus highlights (bokeh) which is a major asset to portrait and wedding photographers.
Short Telephoto Lenses
The Sigma 18-35mm f/1.8 DC HSM Lens for Pentax is a wide-angle to normal-length zoom lens that features a fast, bright constant f/1.8 maximum aperture. It is specifically designed for use with APS-C-sized sensors and provides a 35mm-equivalent focal length range of 27-52.5mm.
The lens integrates four aspherical elements into its construction as well as five Special Low Dispersion (SLD) glass elements to help minimize various aberrations and distortions throughout the zoom range as well as provide greater image sharpness and clarity. A Super Multi-Layer Coating has also been applied to lens elements to reduce surface reflections, lens flare, and ghosting to produce images with higher contrast and color fidelity. The lens barrel design is constructed from a Thermally Stable Composite (TSC) material that is akin to metal in texture and resistance to temperature and environmental changes while also remaining lightweight and compact. An internal focusing and zooming mechanism also helps to maintain a compact and consistent overall length and non-rotating front ring also better enables the use of circular polarizing filters. For control of focus, a Hyper Sonic Motor (HSM) is used to ensure fast, precise, and quiet focusing capabilities that are well suited to continuous shooting and movie recording.
This lens is part of Sigma’s Art line; deeming it well-suited to creative image making due to its large, constant f/1.8 maximum aperture and ability to produce aesthetic bokeh by way of a nine-blade circular diaphragm. The range of focal lengths it covers, from wide-angle to normal-length, is nicely situated for everyday and artistic shooting applications.
Pentax DA* 16-50mm f/2.8ED AL [IF] SDM Lens is a high-quality bright f/2.8 lens. This lens brings together advanced optical technologies, including aspherical elements, special optical-glass elements, and original lens coatings. It offers a versatile ultra-wide to medium-telephoto zoom range, and can be used as the ideal standard zoom lens in a wide variety of applications, including landscape, snapshot and portrait.
Walk Around Lens
I love a good walk around lens. There are times when I don’t know what I am going to expect when I go out with my camera . I could be shooting wide or long. The quality may not be as good as a prime but sometimes you need more versatility than you need sharpness or low light performance.
You may already have this lens. It’s offered in some kits as an alternative to the 18-55 lens. If you have the option of getting it, make sure you do as it is well worth the price. If it doesn’t come in a kit, you may want to consider picking it up. It’s got a decent range, is decently sharp, and is weather resistant. It offers a focal length that is equivalent (in 35mm format) from 27.5 to 207mm. This wide coverage is ideal for a variety of telephoto applications, including portraiture, sports and scenery.
The image circle in DA-series lenses is designed to perfectly match the 23.5mm x 15.7mm size of the CCD used in Pentax digital SLRs to optimize camera performance. This design also contributes to a drastic reduction in size, weight and production cost compared to 35mm-format counterparts with similar specifications.
Pentax DA (DA-Star) zoom lenses come equipped with the SDM System, which assures smoother, quieter auto-focusing operation by using a built-in supersonic motor. Like all Pentax lenses, this lens is treated with smc coating for maximum light transmission, sharp definition, and high contrast images.
The Tamron AF18-200mm F/3.5-6.3 XR Di-II LD Aspherical (IF) MACRO is a high power zoom lens designed exclusively for digital SLR cameras using the more compact (APS-C) digital size image sensors. The focal length of this lens is equivalent to approx. 28-300mm in 35mm format.
Designed as an “all-in-one” lens, it will meet almost all photographic opportunities without changing lenses.
The 18-200mm zoom lens realizes an MFD (Minimum Focus Distance) of 1.5′ (45 cm) over the entire zoom range by the employment of a new optical/mechanical design configuration. Since the maximum magnification ratio at f=200mm is 1:3.7, you can enjoy close-up photography easily and conveniently.
The 18-250mm F3.5-6.3 DC Macro HSM from Sigma is an incredibly versatile lens that is a real jack-of-all-trades lens you can carry in any situation. With a focal length spanning from a wide-angle 18mm up to a 250 mm telephoto zoom, with macro capabilities to boot, Sigma’s 18-250mm could easily be your camera’s first all-in-one lens, or a great replacement for several smaller lenses that you’re looking to consolidate.
Sigma redesigned the optical and structural design of this lens in order to achieve a relatively compact size, at 4.0″ long, as well as a close minimum focusing distance of 13.8″ for macro photography. Their Thermally Stable Composite (TSC) construction maintains the structure of the lens, with little variation despite changing temperatures. The lens also incorporates a brass-made bayonet mount, to further reinforce the lenses durability and resistance to wear and tear over time.
The minimum focusing distance is the same throughout the focal length of the entire zoom range, and provides a maximum magnification ratio of 1:2.9. As an added benefit over fixed focal length macro lenses, the size and framing of subjects can quickly and easily be adjusted by rotating the zoom ring. For even further convenience, at each focusing distance on the side of the lens barrel, the maximum magnification ratio is also displayed.
For high image quality, you know you’ve got to have high quality glass, and Sigma has incorporated their Special Low Dispersion (SLD) glass element into the 18-250mm. In addition to the SLD element, three aspherical lenses, including a double-sided aspherical lens, have been used in the lens’ construction–offering excellent correction of color aberration, for better clarity and quality of images throughout the zoom range.
A Super Multi-Layer Coating has also been employed to reduce flare and ghosting with this lens. This makes it resistant to strong incident light, such as backlight behind a subject, providing sharper, high contrast images even shooting into a light source. To prevent internal reflections from occurring, the included petal-type lens hood can be attached in order to block out extraneous light.
For a lens that offers a wide-angle to telephoto focal length, and the ability to zoom-in with macro photography, Sigma’s 18-250mm F3.5-6.3 DC Macro HSM made for Pentax cameras is more than a match. Whether you’re on a macro product shoot, a walk in the park, or have a wedding to go to, this lens will help you shoot high quality images in any situation.
The Pentax smc Pentax-DA 18-270mm f/3.5-6.3 ED SDM Lens is an all-encompassing zoom lens, featuring a 15x zoom rangefrom a wide 18mm to a long 270mm (equivalent to 27.5-414mm in 35mm format). Benefitting the long reach of this lens, two extra-low dispersion elements have been incorporated into the lens construction to help reduce chromatic aberration and improve overall image clarity. A minimum focus distance of 1.6′ across the entire zoom range also makes this lens an effective tool for macro and close-up work.
Telephoto Lens: In photography and cinematography, a telephoto lens is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a telephoto group that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as telephoto lenses although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group.
Telephoto lenses are sometimes broken into the further sub-types of medium telephoto: lenses covering between a 30° and 10° field of view (85mm to 135mm in 35mm film format), and super telephoto: lenses covering between 8° through less than 1° field of view (over 300mm in 35mm film format).
The HD Pentax-DA 55-300mm f/4-5.8 ED WR Lens from Pentax is a portrait-length to telephoto zoom lens that provides a 35mm-equivalent focal range of 84.5-460mm. This extensive zoom range is complemented by the inclusion of two extra-low dispersion glass elements, which work to minimize chromatic aberrations and enhance overall image sharpness and clarity. A high-grade multi-layer HD coating has been applied to lens elements to help minimize flare and ghosting for enhanced contrast and, additionally, an SP Protect coating has also been applied to the front lens element to effectively protect it from dirt, oil, and finger prints.
The Sigma 70-200mm f/2.8 EX DG APO OS HSM for Pentax is the second generation of large-aperture telephoto zoom lenses incorporating Sigma’s OS (Optical Stabilizer) anti-shake system. It offers the equivalent of shooting at shutter speeds 3 to 4 stops slower than without OS, thus allowing handheld telephoto zoom shooting even in poorly lit conditions. Its HSM ensures quiet and high speed AF as well as full-time manual focusing.
It features a large maximum aperture of f/2.8 that remains constant throughout the zoom range, making it incredibly valuable when shooting in low light situations such as weddings or other events. It is also great when shooting fast-moving subjects such as sports, when fast shutter speeds are needed to capture fleeting moments. The 70-200mm f/2.8 is fast and versatile and at a length of 7.8 (19.8cm) will be a tool that seldom sees the inside of your camera bag. The lens comes with a petal-type lens hood plus an adapter to extend its length for users with APS-c cameras.
The Tamron 70-200mm f/2.8 Di LD (IF) Macro Lens is a telephoto zoom lens that has a large maximum aperture of f/2.8 which remains constant throughout the zoom range. It also offers an excellent “close-focusing-distance” minimum of just 3.1′ (0.95 m) throughout its entire zoom range, with a maximum macro magnification ratio of 1:3.1 at f=200mm. When mounted on an APS-C sensor size digital SLR camera, it provides a focal length equivalent of 105-300mm.
The advantage that the Tamron has over the Sigma is cost. While it lacks image stabilization, your Pentax camera has that built into the body which means that you don’t need it. This lets you save the money and still get great performance in that distance.
This Sigma 50-500mm F/4.5-6.3 APO DG OS HSM Lens for Pentax covers a lot of ground. The 10x zoom can be used on everything from landscape and portrait photos to sports action and wildlife photography. It uses 4 Special Low Dispersion (SLD) glass elements for optimum color correction and sharpness through the entire zoom range, and a Hyper-Sonic Motor (HSM) provides quiet and high-speed auto focusing. The Optical Stabilization (OS) system allows you to use the lens even off a tripod to capture sharp, clear photos.
This 50-500mm lens is designed for use with Pentax DSLR cameras–with an APS-C-sized sensor, the effective zoom range is approximately 75-750mm in 35mm equivalent.
While around $500 more than the Sigma 150 to 500, it is slightly sharper so keep that in mind when you are considering which one to get.
This Sigma 150-500mm f/5-6.3 DG OS HSM APO Lens for Pentax is for digital SLR cameras with a Pentax K lens mount. It is an ultra telephoto zoom lens ideal for nature, wildlife, or sports photography. This zoom range translates into an equivalent range of 225-750mm when used with digital SLR cameras with an APS size sensor.
The OS (Optical Stabilizer) system minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed 3-4 stops faster. This allows handheld telephoto zoom shooting even in poorly lit conditions.
The use of the OS (Optical Stabilizer) system, HSM (Hyper Sonic Motor), APO apochromatic design, three elements of SLD (Special Low Dispersion) glass, and multicoated optics all enable this lens to provide a high level of performance throughout its entire zoom range, as well as versatility. A rear focus system insures quick, convenient manual focus and a non-rotating front barrel.
The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance, while cutting down on ghosting caused by reflections from the digital image sensor. The lens provides the utmost correction against lateral chromatic aberration, which is a serious problem for digital SLR cameras.
The Pentax SMCP-DA* 300mm f/4 ED (IF) SDM Lens is a high-quality telephoto lens that is designed for exclusive use with Pentax digital SLR cameras. It offers a focal length that is equivalent (in 35mm format) to 450mm. This wide coverage is ideal for a variety of telephoto applications, including portraiture, sports and scenery.
Pentax DA* (DA-Star) zoom lenses come equipped with the SDM System, which assures smoother, quieter auto-focusing operation by using a built-in supersonic motor. When mounted on the K10D digital SLR camera body, the focus mode is automatically switched to SDM-assisted auto-focusing. When mounted on older Pentax digital SLR camera bodies, the conventional autofocus mode using a camera-mounted motor is selected.
This Sigma 500mm f/4.5 EX DG APO lens is an Apochromatic ultra-telephoto lens with a fast f/4.5 maximum aperture, and it incorporates two ELD (Extraordinary Low Dispersion) glass elements to reduce chromatic aberration to a minimum. Internal focus enables responsive and fast autofocus speed.
The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance whilst cutting down on ghosting caused by reflections from the digital image sensor. The lens provides the utmost correction against lateral chromatic aberration which is a serious problem for digital SLR cameras.
By adding the optional Sigma APO teleconverter, you can use this lens as a 700mm f/6.3 MF ultra-telephoto lens with a 1.4x EX teleconverter, or as a 1000mm f/9 MF ultra-telephoto lens with a 2x teleconverter.
Optimized for DSLRs and compatible with film SLR cameras, the smc PENTAX-D FA 100mm f/2.8 WR Macro Lens is constructed with an aluminum housing and 6 weather seals (thus the WR designation) so you can shoot in almost any environment without risking internal damage to the lens. Optical elements are treated with the Pentax Super Protect multi-layer coating to lower surface reflection, reduce ultraviolet rays, and deliver clear, high-contrast images. Plus, the configurations of its optical elements produce crisp, sharp images with no flare and ghosting. It also features a “Quick Shift” focusing system which allows you to easily switch between manual and AF modes.
Achieving life-size (1:1) magnification, this macro lens is ideal for the close-up photography including, but not limited to, nature, technical, medical or product applications. It is also great for portraiture. Its 8 rounded diaphragm blade configuration assists in producing out-of-focus areas of your images with a pleasing look.
Wide Angle Lens: The terms “wide-angle” and “telephoto” are based on the different angles of view they provide when compared with a normal lens. A wide-angle lens captures a wider angle of view than a normal lens does. There is no single wide-angle lens, but rather a variety of lenses that give wider and wider angles of view, some of which are classified as super or ultra wide-angle lenses, and the widest of all – fish-eye lenses. Lenses considered to be wide-angle include the 35 mm, 28 mm and 24 mm varieties, with the 28 mm being the “standard” wide-angle lens. Super wide angle lenses then take over, and run from 20 mm to about 13 mm.
The Sigma 10-20mm f/4-5.6 EX DC lens offers a super-wide zoom solution to digital cameras, and was exclusively designed to suit the characteristics of digital SLR cameras. The super wide-angle capability of this zoom lens (equivalent range of approx. 15-30mm when used with a Pentax digital SLR camera makes it a very powerful tool for both indoor and landscape photography.
Someone needs to do this during the PotashCorp Fireworks Festival in Saskatoon.
Leonard LaRochelle took possession of his modular home on Borden Crescent through the city’s affordable housing program in 2011. Now, 2014 has been nothing but headaches and money lost to basement flooding.
“The water actually came all the way underneath the flooring,” LaRochelle said, walking through his basement – floor boards torn up, moldy insulation scattered everywhere and furniture and drywall all huddled in the middle of the room.
Three different leaks sprung in LaRochelle’s basement this spring, causing him to tear down the walls of his newly finished basement and pull up $1,200 worth of flooring.
He said he called the builder to see if they would look at the cracks in the concrete foundation, and they agreed. However, the results weren’t exactly what LaRochelle was expecting.
After a couple of visits from a maintenance worker, LaRochelle said they patched the holes on the inside of the home, but they didn’t do anything to seal the home from the outside.
“As water continues to build up inside, in the fall if we get a freeze that water is going to expand and spider and make so many more issues,” LaRochelle said, adding exposed wood on the outside of the home is starting to rot.
When the builder wouldn’t comply, he went to City Hall. There, LaRochelle said he asked building inspection managers to have his home inspected again.
“The response I got from the inspection manager was that the inspection had initially passed so they wouldn’t find anything different now, so they couldn’t change anything that’s been done and they refused to get another inspection,” LaRochelle said, adding his next step was to take the issue to his city councillor, Ann Iwanchuk.
“It’s concerning to hear residents having these issues, we want home ownership to be a positive experience for all,” Iwanchuk said. “When I was made aware of these concerns about a month ago, I’ve gone to the administration and asked to go back to the builder and they’re currently in the process of getting more information.”
Director of planning and development, Alan Wallace, said they’ve opened up an investigation into the matter and they’ll be reaching out to homeowners and the builder to see if anything can be done to resolve the issue.
“Until we get all the facts we won’t know what’s going on up there,” Wallace said, adding the city’s hands are somewhat tied, because the contract is complete.
Of course you haven’t seen anything until you have seen the leaks in this dramatic video below.
You won’t find videos like this in Calgary or Toronto (mostly because they have tougher building codes). Hopefully that is ROCK 102 playing in the background.