Mark photobombing Wendy as we are about to walk out the door to go to Nuit Blanche.
A quick shot of Mayfair Community School as the neighbourhood changes from summer to fall.
Wendy has a great post of photos that she took at Nuit Blanche. They are some of her best shots in a fairly challenging low light setting.
I posted some of my photos of Nuit Blanche over at Bridge City this evening. It was great night for the entire family (we took the boys home over their protests at around 10:00 p.m. before returning) and I can’t wait until it happens again in 2015.
Monkey in the wilds of Indonesia snaps a selfie with stolen camera and sets off legal battle between nature photographer and Wikipedia.
Slater apparently doesn’t find any humour in what he considers Wikimedia, the organization behind Wikipedia, monkeying with his livelihood.He argues the photos are rightly his. It was his effort and expense that got him to the jungle on the island of Sulawesi with his expensive equipment.
He hired the guide who led him deep into the wilds, where the inquisitive monkey could grab his camera and start snapping.
He has also argued that he would hold the copyright to any images taken by an assistant. In effect, the smiling simian was his assistant that day in the jungle, he reasoned.In an interview, Slater said he has repeatedly asked Wikipedia to take the monkey photos down from Wikimedia Commons.
“They know I claim to hold not just ownership of the image but copyright too,” Slater says.
So if you are like me, you own a Pentax DSLR. You love your camera but the lens selection is paltry compared to Canon or Nikon and of course you hear photographers tells you that there isn’t the good glass to go with Pentax. Even many local camera shops don’t have a great section despite them selling a lot of Pentax K-3 and K-5 IIs cameras in the last year.
So what do you do? First of all you take a look around online and see what is there. If you are reading this page, there is a good chance that you are doing just that. To help you with your search, I have listed around 25 lenses that would all make great additions to any photographers bag.
If you have no idea which lens you want to purchase, ask your local camera shop for advice or check out this video from Pentax.
Ricoh has more about the available Pentax lenses here.
So the next time someone tells you there are not great lenses for the Pentax cameras, remind them of what is out there. There is some amazing and professional quality glass for your camera.
Each link on the post goes to Amazon.com which offers you some purchasing options and price for each lens. Since lens price is often moving, it’s easier to check them out there.
Normal Lenses: In photography and cinematography, a normal lens is a lens that reproduces a field of view that generally looks “natural” to a human observer under normal viewing conditions, as compared with lenses with longer or shorter focal lengths which produce an expanded or contracted field of view that distorts the perspective when viewed from a normal viewing distance.
This versatile Pentax 35mm DA L F2.4 AL Lens is considered a standard, normal focal length lens for the Pentax DSLRs it was designed for, but it’s a great lens to own, even if you only have one lens. This 35mm lens (equivalent to 52.5mm in 35mm format) is ideal for family photos, portraits, landscapes and a lot more. The fast f2.4 maximum aperture helps you get pictures even in low-light situations, and it provides high-resolution images with edge-to-edge sharpness. An aspherical lens element helps to compensate for spherical aberration to maximize image quality, and PENTAX Super Protect (SP) coating helps repel dust, water, and grease–making the lens easier to clean.
The 35mm f/1.4 DG HSM Lens for Pentax DSLR Cameras from Sigma is the first entry into Sigma’s Art series of professional lenses, with an emphasis on artistic expression and the creative potential of the lens. With a bright f/1.4 maximum aperture, floating inner focusing system, and Hyper Sonic Motor (HSM) you’ll have quick and accurate control over the artistic effects achieved by the lens’ high quality elements.
For wide angle photography, this 35mm lens and its circular 9-bladed f/1.4 aperture ensure excellent brightness and blurred background (bokeh) effects. The Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even in backlit conditions.
The lens’ Hyper Sonic Motor (HSM) and floating inner focusing system ensure that you experience quick, quiet and precise autofocusing whenever you need it. Adjust focus using either autofocus (AF), or full-time manual focus, without having to switch camera modes or change settings – just flick the switch from AF to MF.
For greater build quality and strength, all metallic parts and the new Thermally Stable Composite compound material (TSC), are housed internally. Its brass made bayonet mount has both high accuracy and durability, and a special treatment is applied to its surface giving it greater strength and making it highly resistant to long-term daily use.
The smc DA 50mm f/1.8 Lens from Pentax is a fast and inexpensive f/1.8 lens for cameras with a Pentax K mount. Mounted to a camera with an APS-C sensor, this lens gives an angle of view equivalent to a 76.5mm telephoto lens–ideal for portraits. The wide f/1.8 aperture makes this an essential lens for working in low light, and it also delivers beautiful bokeh (the out-of-focus portion of a photograph). This lightweight (4.3 oz) lens is very compact–just 1.5″ (3.8 cm) long.
A standard lens for Pentax autofocus cameras with a bright f/1.4 aperture. The SMCP-FA 50mm f/1.4 is an excellent choice for lowlight handheld photography, and effectively becomes a brilliant short telephoto portrait lens when used with your Pentax DSLR. The Pentax Super Multi Coating process provides the highest possible transmission of light.
Portrait Lenses: a prime lens with a relatively high aperture and usually a means for softening definition in taking portraits
The Pentax 55mm f/1.4 DA* SDM Autofocus Lens is a compact and bright short-telephoto lens of the highest order, made exclusively for Pentax digital SLR cameras. In a stocky housing ready for harsh conditions, you’ll get a bright f/1.4 aperture-worlds away from the experience you’re used to with more common zooms-that opens up new creative doors to you as a photographer.
This lens was born to shoot between f/1.4 and f/2.8, and comes with a 9-bladed aperture diaphragm which shows up as perfectly round when you stay between f/1.4-2.8. Shoot dramatic portraits with bright point light sources behind the subject, and you’ll be dazzled with lovely diffuse, circular out-of-focus highlights that make everybody look better. Beyond portraits, this lens works well any time you would use a moderate telephoto focal length.
When you need a medium-telephoto standard lens for everything from portraiture to sports, the fast Sigma 85mm f/1.4 EX DG HSM Lens for Pentax Digital SLRs is a great solution. This large aperture beauty is designed with an SLD (Special Low Dispersion) glass element and a glass mold element which yield first-class, sharp image captures with high contrast.
The 85mm f/1.4 has Sigma’s HSM (Hyper Sonic Motor) which provides fast, accurate and quiet autofocusing. The exterior of this lens is EX-finished which translates to a superior build and optical quality, enhanced handling and appearance. It comes with a petal-type hood to block out extraneous light. A dedicated hood adapter for cameras with an APS-C size image sensor is also included to expand the length of the hood for blocking out extraneous light more effectively.
This fast f/1.4 lens is great for capturing fast moving images, allowing you to use faster shutter speeds, and is what you want when shooting under low lighting conditions. This highly efficient lens has a nine blade circular diaphragm for creating pleasant out-of-focus highlights (bokeh) which is a major asset to portrait and wedding photographers.
Short Telephoto Lenses
The Sigma 18-35mm f/1.8 DC HSM Lens for Pentax is a wide-angle to normal-length zoom lens that features a fast, bright constant f/1.8 maximum aperture. It is specifically designed for use with APS-C-sized sensors and provides a 35mm-equivalent focal length range of 27-52.5mm.
The lens integrates four aspherical elements into its construction as well as five Special Low Dispersion (SLD) glass elements to help minimize various aberrations and distortions throughout the zoom range as well as provide greater image sharpness and clarity. A Super Multi-Layer Coating has also been applied to lens elements to reduce surface reflections, lens flare, and ghosting to produce images with higher contrast and color fidelity. The lens barrel design is constructed from a Thermally Stable Composite (TSC) material that is akin to metal in texture and resistance to temperature and environmental changes while also remaining lightweight and compact. An internal focusing and zooming mechanism also helps to maintain a compact and consistent overall length and non-rotating front ring also better enables the use of circular polarizing filters. For control of focus, a Hyper Sonic Motor (HSM) is used to ensure fast, precise, and quiet focusing capabilities that are well suited to continuous shooting and movie recording.
This lens is part of Sigma’s Art line; deeming it well-suited to creative image making due to its large, constant f/1.8 maximum aperture and ability to produce aesthetic bokeh by way of a nine-blade circular diaphragm. The range of focal lengths it covers, from wide-angle to normal-length, is nicely situated for everyday and artistic shooting applications.
Pentax DA* 16-50mm f/2.8ED AL [IF] SDM Lens is a high-quality bright f/2.8 lens. This lens brings together advanced optical technologies, including aspherical elements, special optical-glass elements, and original lens coatings. It offers a versatile ultra-wide to medium-telephoto zoom range, and can be used as the ideal standard zoom lens in a wide variety of applications, including landscape, snapshot and portrait.
Walk Around Lens
I love a good walk around lens. There are times when I don’t know what I am going to expect when I go out with my camera . I could be shooting wide or long. The quality may not be as good as a prime but sometimes you need more versatility than you need sharpness or low light performance.
You may already have this lens. It’s offered in some kits as an alternative to the 18-55 lens. If you have the option of getting it, make sure you do as it is well worth the price. If it doesn’t come in a kit, you may want to consider picking it up. It’s got a decent range, is decently sharp, and is weather resistant. It offers a focal length that is equivalent (in 35mm format) from 27.5 to 207mm. This wide coverage is ideal for a variety of telephoto applications, including portraiture, sports and scenery.
The image circle in DA-series lenses is designed to perfectly match the 23.5mm x 15.7mm size of the CCD used in Pentax digital SLRs to optimize camera performance. This design also contributes to a drastic reduction in size, weight and production cost compared to 35mm-format counterparts with similar specifications.
Pentax DA (DA-Star) zoom lenses come equipped with the SDM System, which assures smoother, quieter auto-focusing operation by using a built-in supersonic motor. Like all Pentax lenses, this lens is treated with smc coating for maximum light transmission, sharp definition, and high contrast images.
The Tamron AF18-200mm F/3.5-6.3 XR Di-II LD Aspherical (IF) MACRO is a high power zoom lens designed exclusively for digital SLR cameras using the more compact (APS-C) digital size image sensors. The focal length of this lens is equivalent to approx. 28-300mm in 35mm format.
Designed as an “all-in-one” lens, it will meet almost all photographic opportunities without changing lenses.
The 18-200mm zoom lens realizes an MFD (Minimum Focus Distance) of 1.5′ (45 cm) over the entire zoom range by the employment of a new optical/mechanical design configuration. Since the maximum magnification ratio at f=200mm is 1:3.7, you can enjoy close-up photography easily and conveniently.
The 18-250mm F3.5-6.3 DC Macro HSM from Sigma is an incredibly versatile lens that is a real jack-of-all-trades lens you can carry in any situation. With a focal length spanning from a wide-angle 18mm up to a 250 mm telephoto zoom, with macro capabilities to boot, Sigma’s 18-250mm could easily be your camera’s first all-in-one lens, or a great replacement for several smaller lenses that you’re looking to consolidate.
Sigma redesigned the optical and structural design of this lens in order to achieve a relatively compact size, at 4.0″ long, as well as a close minimum focusing distance of 13.8″ for macro photography. Their Thermally Stable Composite (TSC) construction maintains the structure of the lens, with little variation despite changing temperatures. The lens also incorporates a brass-made bayonet mount, to further reinforce the lenses durability and resistance to wear and tear over time.
The minimum focusing distance is the same throughout the focal length of the entire zoom range, and provides a maximum magnification ratio of 1:2.9. As an added benefit over fixed focal length macro lenses, the size and framing of subjects can quickly and easily be adjusted by rotating the zoom ring. For even further convenience, at each focusing distance on the side of the lens barrel, the maximum magnification ratio is also displayed.
For high image quality, you know you’ve got to have high quality glass, and Sigma has incorporated their Special Low Dispersion (SLD) glass element into the 18-250mm. In addition to the SLD element, three aspherical lenses, including a double-sided aspherical lens, have been used in the lens’ construction–offering excellent correction of color aberration, for better clarity and quality of images throughout the zoom range.
A Super Multi-Layer Coating has also been employed to reduce flare and ghosting with this lens. This makes it resistant to strong incident light, such as backlight behind a subject, providing sharper, high contrast images even shooting into a light source. To prevent internal reflections from occurring, the included petal-type lens hood can be attached in order to block out extraneous light.
For a lens that offers a wide-angle to telephoto focal length, and the ability to zoom-in with macro photography, Sigma’s 18-250mm F3.5-6.3 DC Macro HSM made for Pentax cameras is more than a match. Whether you’re on a macro product shoot, a walk in the park, or have a wedding to go to, this lens will help you shoot high quality images in any situation.
The Pentax smc Pentax-DA 18-270mm f/3.5-6.3 ED SDM Lens is an all-encompassing zoom lens, featuring a 15x zoom rangefrom a wide 18mm to a long 270mm (equivalent to 27.5-414mm in 35mm format). Benefitting the long reach of this lens, two extra-low dispersion elements have been incorporated into the lens construction to help reduce chromatic aberration and improve overall image clarity. A minimum focus distance of 1.6′ across the entire zoom range also makes this lens an effective tool for macro and close-up work.
Telephoto Lens: In photography and cinematography, a telephoto lens is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a telephoto group that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as telephoto lenses although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group.
Telephoto lenses are sometimes broken into the further sub-types of medium telephoto: lenses covering between a 30° and 10° field of view (85mm to 135mm in 35mm film format), and super telephoto: lenses covering between 8° through less than 1° field of view (over 300mm in 35mm film format).
The HD Pentax-DA 55-300mm f/4-5.8 ED WR Lens from Pentax is a portrait-length to telephoto zoom lens that provides a 35mm-equivalent focal range of 84.5-460mm. This extensive zoom range is complemented by the inclusion of two extra-low dispersion glass elements, which work to minimize chromatic aberrations and enhance overall image sharpness and clarity. A high-grade multi-layer HD coating has been applied to lens elements to help minimize flare and ghosting for enhanced contrast and, additionally, an SP Protect coating has also been applied to the front lens element to effectively protect it from dirt, oil, and finger prints.
The Sigma 70-200mm f/2.8 EX DG APO OS HSM for Pentax is the second generation of large-aperture telephoto zoom lenses incorporating Sigma’s OS (Optical Stabilizer) anti-shake system. It offers the equivalent of shooting at shutter speeds 3 to 4 stops slower than without OS, thus allowing handheld telephoto zoom shooting even in poorly lit conditions. Its HSM ensures quiet and high speed AF as well as full-time manual focusing.
It features a large maximum aperture of f/2.8 that remains constant throughout the zoom range, making it incredibly valuable when shooting in low light situations such as weddings or other events. It is also great when shooting fast-moving subjects such as sports, when fast shutter speeds are needed to capture fleeting moments. The 70-200mm f/2.8 is fast and versatile and at a length of 7.8 (19.8cm) will be a tool that seldom sees the inside of your camera bag. The lens comes with a petal-type lens hood plus an adapter to extend its length for users with APS-c cameras.
The Tamron 70-200mm f/2.8 Di LD (IF) Macro Lens is a telephoto zoom lens that has a large maximum aperture of f/2.8 which remains constant throughout the zoom range. It also offers an excellent “close-focusing-distance” minimum of just 3.1′ (0.95 m) throughout its entire zoom range, with a maximum macro magnification ratio of 1:3.1 at f=200mm. When mounted on an APS-C sensor size digital SLR camera, it provides a focal length equivalent of 105-300mm.
The advantage that the Tamron has over the Sigma is cost. While it lacks image stabilization, your Pentax camera has that built into the body which means that you don’t need it. This lets you save the money and still get great performance in that distance.
This Sigma 50-500mm F/4.5-6.3 APO DG OS HSM Lens for Pentax covers a lot of ground. The 10x zoom can be used on everything from landscape and portrait photos to sports action and wildlife photography. It uses 4 Special Low Dispersion (SLD) glass elements for optimum color correction and sharpness through the entire zoom range, and a Hyper-Sonic Motor (HSM) provides quiet and high-speed auto focusing. The Optical Stabilization (OS) system allows you to use the lens even off a tripod to capture sharp, clear photos.
This 50-500mm lens is designed for use with Pentax DSLR cameras–with an APS-C-sized sensor, the effective zoom range is approximately 75-750mm in 35mm equivalent.
While around $500 more than the Sigma 150 to 500, it is slightly sharper so keep that in mind when you are considering which one to get.
This Sigma 150-500mm f/5-6.3 DG OS HSM APO Lens for Pentax is for digital SLR cameras with a Pentax K lens mount. It is an ultra telephoto zoom lens ideal for nature, wildlife, or sports photography. This zoom range translates into an equivalent range of 225-750mm when used with digital SLR cameras with an APS size sensor.
The OS (Optical Stabilizer) system minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed 3-4 stops faster. This allows handheld telephoto zoom shooting even in poorly lit conditions.
The use of the OS (Optical Stabilizer) system, HSM (Hyper Sonic Motor), APO apochromatic design, three elements of SLD (Special Low Dispersion) glass, and multicoated optics all enable this lens to provide a high level of performance throughout its entire zoom range, as well as versatility. A rear focus system insures quick, convenient manual focus and a non-rotating front barrel.
The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance, while cutting down on ghosting caused by reflections from the digital image sensor. The lens provides the utmost correction against lateral chromatic aberration, which is a serious problem for digital SLR cameras.
The Pentax SMCP-DA* 300mm f/4 ED (IF) SDM Lens is a high-quality telephoto lens that is designed for exclusive use with Pentax digital SLR cameras. It offers a focal length that is equivalent (in 35mm format) to 450mm. This wide coverage is ideal for a variety of telephoto applications, including portraiture, sports and scenery.
Pentax DA* (DA-Star) zoom lenses come equipped with the SDM System, which assures smoother, quieter auto-focusing operation by using a built-in supersonic motor. When mounted on the K10D digital SLR camera body, the focus mode is automatically switched to SDM-assisted auto-focusing. When mounted on older Pentax digital SLR camera bodies, the conventional autofocus mode using a camera-mounted motor is selected.
This Sigma 500mm f/4.5 EX DG APO lens is an Apochromatic ultra-telephoto lens with a fast f/4.5 maximum aperture, and it incorporates two ELD (Extraordinary Low Dispersion) glass elements to reduce chromatic aberration to a minimum. Internal focus enables responsive and fast autofocus speed.
The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance whilst cutting down on ghosting caused by reflections from the digital image sensor. The lens provides the utmost correction against lateral chromatic aberration which is a serious problem for digital SLR cameras.
By adding the optional Sigma APO teleconverter, you can use this lens as a 700mm f/6.3 MF ultra-telephoto lens with a 1.4x EX teleconverter, or as a 1000mm f/9 MF ultra-telephoto lens with a 2x teleconverter.
Optimized for DSLRs and compatible with film SLR cameras, the smc PENTAX-D FA 100mm f/2.8 WR Macro Lens is constructed with an aluminum housing and 6 weather seals (thus the WR designation) so you can shoot in almost any environment without risking internal damage to the lens. Optical elements are treated with the Pentax Super Protect multi-layer coating to lower surface reflection, reduce ultraviolet rays, and deliver clear, high-contrast images. Plus, the configurations of its optical elements produce crisp, sharp images with no flare and ghosting. It also features a “Quick Shift” focusing system which allows you to easily switch between manual and AF modes.
Achieving life-size (1:1) magnification, this macro lens is ideal for the close-up photography including, but not limited to, nature, technical, medical or product applications. It is also great for portraiture. Its 8 rounded diaphragm blade configuration assists in producing out-of-focus areas of your images with a pleasing look.
Wide Angle Lens: The terms “wide-angle” and “telephoto” are based on the different angles of view they provide when compared with a normal lens. A wide-angle lens captures a wider angle of view than a normal lens does. There is no single wide-angle lens, but rather a variety of lenses that give wider and wider angles of view, some of which are classified as super or ultra wide-angle lenses, and the widest of all – fish-eye lenses. Lenses considered to be wide-angle include the 35 mm, 28 mm and 24 mm varieties, with the 28 mm being the “standard” wide-angle lens. Super wide angle lenses then take over, and run from 20 mm to about 13 mm.
The Sigma 10-20mm f/4-5.6 EX DC lens offers a super-wide zoom solution to digital cameras, and was exclusively designed to suit the characteristics of digital SLR cameras. The super wide-angle capability of this zoom lens (equivalent range of approx. 15-30mm when used with a Pentax digital SLR camera makes it a very powerful tool for both indoor and landscape photography.
As I mentioned before, I gave Oliver my old Fujifilm J10 for his birthday. The camera has served me well but it is obsolete and has been replaced. That being said, it is perfect for a six year old who loves taking photos.
To show off those photos, Oliver is now on Flickr at flickr.com/oliver_cooper. His perspective is a little lower to the ground than most of us but he manages to get some fun shots. Since your first 10,000 photos are going to be your worst, he is well ahead of many of us in that regard.
Of course the bad news is that he still can barely read and doesn’t have a computer. At the same time he is rather particular about his photos which means that I get to argue with him every time I downtown his card over which photo is any good or not. So far I am winning (no selfies) but that won’t continue for long.
Summer is known for great fireworks displays. Olympus is known for great camera scene modes. Coincidence? No way. Your first step in taking great pictures of fireworks is to simply select the Fireworks Scene Mode. The camera will then slow the shutter speed value and set the focusing point to infinity (∞).
If your camera doesn?t have scene modes (i.e. the E-1, E-3 & E-5) or is able to support a high-level of manual control, set the camera to manual mode (M) and adjust the shutter speed and aperture. Setting the aperture to F8 and a shutter speed of 3 to 4 seconds should give good results. Set the ISO sensitivity to 100 or 80. And don’t forget to change to MF (manual focus) and set the focusing point to infinity (∞).
On Friday evening we headed to the cabin for what we expected was going to be a wet and miserable weekend. It was but we had a good time.
Oliver was quite sick on Friday morning which meant that Wendy took the day off. His daycare has a thing about vomitting kids… They picked me up at work and we were off to the lake and got in there in decent time.
I am nursing an incredibly sore hip so I hobbled in and went to bed. The boys took Maggi for a long walk and swim in the lake and I was awoken by a wet dog looking to warm up with someone. Saturday I picked up Oliver’s flu and felt horrible. Wendy delegated the job of packing Oliver’s stuff to Mark and he didn’t pack any socks and underwear for Oliver so off to Regina we went. 18km of really soft and sloppy roads were not a lot of fun to drive but we made it to the highway.
The rain kept falling the entire time we were in Regina and the road was a slippery and muddy mess by the time we got back to Cymric. It was a long slow drive back to the cabin where I managed to lose control once. Not only that but we realized it was going to rain all night and into Sunday.
Here is Speck speaking to TED.
So yeah the drive home was brutal. The car was covered in mud and it was hard to keep it on the road. For those who feel that Saskatchewan should be converting more highways into gravel, I respectfully disagree. The sand base of that road makes more slippery then ice when wet. So yeah, let’s pave the entire province.
A couple of months ago I discovered that BridgeCity.ca was available to be registered and I scooped it up. I had wanted a domain to document Saskatoon on for years and this seemed to be as good as place as ever.
Since then I have been uploading photos. Most of them are of Saskatoon but a few are from outside of our city limits. My inspiration for this has been the amazing photoblog Winnipeg Love Hate. If you have never been there before, you really need to check it out. Bryon Scott has done an amazing job of documenting his city and I hope to do the same for Saskatoon.
If you want to read more about Bridge City, you can find out the information here. It’s RSS feed is here. I have been managing to update the site four days out of seven. Hopefully that will increase to five out of seven.
While the rest of the world celebrates Queen Victoria’s birthday this weekend, we are celebrating Mark turning 14 at the cabin.
He has been saving up for a DLSR camera for months. When I upgraded my Pentax K-x, he thought I traded it in for a new camera. Instead I took it upstairs and have been saving it to give him for his birthday.
After having the camera’s sensor cleaned, I bought him a new 16 GB memory card and cleaned all of the lens up perfectly (if you don’t have a Lens Pen, you are doing it all wrong).
Wendy and I had bought him a a new Roots sling camera bag and placed the camera in along with some of my older lenses. Along with the camera, I gave him this 18-55mm lens that came with the camera, a really sharp manual 50mm lens, a Pentax 100-300 lens, and a Takumar-F 28-80mm manual lens (that to be honest, really sucks) but it will give him a macro to play with. I have an older Sigma 70-210 lens that I may give him as well but I am awaiting a replacement for it. Until then he can borrow it.
To celebrate his birthday we are heading north from the cabin for a long nature walk along the shores of Last Mountain Lake where we will hopefully get some shots of some birds and someone can test out his new camera. I expect you will see some photos of the day as soon as we get back into the city.
Mark blogs about his birthday here.
a background comprising a white cyclorama; a front light source positioned in a longitudinal axis intersecting the background, the longitudinal axis further being substantially perpendicular to a surface of the white cyclorama; an image capture position located between the background and the front light source in the longitudinal axis, the image capture position comprising at least one image capture device equipped with an eighty-five millimeter lens, the at least one image capture device further configured with an ISO setting of about three hundred twenty and an f-stop value of about 5.6; …
So yeah, they have patented a practiced used by millions for decades. Can’t see it standing up.