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photography

Launching something new

A couple of months ago I relaunched my photoblog at BridgeCity.ca.  My photos have always been popular on Flickr (more than a couple million views) but I wanted some place to pull out and highlight certain ones about Saskatoon.  When I saw www.bridgecity.ca was available, I bought it, found a template, and started to upload a photo or two a day to it.

This site averages 1000 visitors a day who view on average about 5 posts each time they stop by.  The site has a large archive and benefits from a decade of people linking to it.  I didn’t expect 1000 hits a day but I was really disappointed when I launched Bridge City and didn’t even get a single hit some days.  Now a couple of months later traffic is holding steady at about 175 hits a day and growing.  Here is what I learned during this.

  1. Use Google Webmaster Tools:  This isn’t going to get you any hits but does tell you if Google is indexing your site which is really all you can ask for.  It will also give you an idea of what people are searching for.  Also use Bing Webmaster Tools.  To be honest the amount of traffic I get from Bing is nothing compared to what I get from Google but some people still use it and Yahoo! Search so you might as well incorporate it into your site.
  2. Figure out how Google Image Search worked.  Google has no idea what those images I was posting to my site are.  They rely on the words in the attribute tag and the words I am using on the site to describe what I am posting.  I had images on Flickr that had gotten thousands of hits but only 1 hit on Bridge City.  The difference was that I described what the image was well on Flickr and had not on Bridge City.  When I changed that, Google figured out what the subject was and suddenly ignored content was found.
  3. I don’t rely on SEO very much but I do use a plugin in WordPress to see what Google thinks it is seeing and then I do my best to accurately describe what it should be seeing.  Huffington Post has perfected this but often uses misleading headlines and descriptions to drive traffic.  I want accurate titles and descriptions so that people can find what they are looking for.
  4. The hardest part has been tagging the photos.  Do I call that building office or commercial?  Did I call others like it a restaurant or a pub?  Is it a pub or a bar?
  5. Do I link to the business?  I try to.  It’s a site about what I think is cool and interesting about Saskatoon.  Since I am using business names in titles, I tend to put a link back to the business or organization.  That way if people are looking for something, with a click they can find it.  I have also learned that some businesses have websites that are hard to find.  If I can give it a good link, it helps them too.
  6. There are some boring neighbourhoods in this city.  You can see where I tend to spend my time by the categories and the tags at the bottom of each page but there are some parts of the city that really have nothing interesting to photograph (I am looking at you Westview, Montgomery, and Wildwood)  It speaks of some really poor neighbourhood design.
  7. Most of the shots are on foot.  Wendy and I will park the car somewhere and go for a neighbourhood stroll.  Since I take a lot of shots of schools, we generally go on the weekend so as to not freak out parents, teachers, police, RCMP, Interpol, the Department of Homeland Security… you know, those kinds of people.
  8. Some officers from the Saskatoon Police Service has taken a mild interest in what I have been doing.  One time Wendy and I were kind of trespassing near the tracks by the grain terminals and a couple of cops wandered down to see what we were up to.  When they saw we have cameras their concern wandered off an instead they questioned me on the lens I was using.  The same thing happened downtown when I was ask, “Is it actually focusing on things”.  I then explained aperture to the officers who actually took some notes.  I find that so far the cops have been far more interested in mine and Wendy’s difference in cameras than what we are doing.  They actually remind me of cops in Los Angeles, Chicago, and Boston who seemed to be drawn to the guy with the camera and had opinions on what to photograph than anything.
  9. Thank you to the City of Saskatoon for posting this neighbourhood map.  It the official arbiter of what neighbourhoods are called and where the boundaries are.  More than one time I have sent someone to it and heard back, “I could have sworn that X was part of Y neighbourhood”.  I’ve done it myself.
  10. A lot of buildings downtown are double and even triple attributed by reputable sources to the same architect.  I have brought this up to a couple of developers who all said, “I know”. It’s been fun looking back at contradictory archival data as well.  I don’t think we will ever know for sure.
  11. I don’t get this but architectural websites don’t always list their own works.  I have a feeling that there probably was some strong disagreements during design or construction and the architect more or less washes his or her hands of the project but it makes it hard to track down who created the project.  Winnipeg has a building database.  I wish we had one in Saskatoon.  If for no reason than to help celebrate some of the great architects in our cities history.  Hopefully a project like this will happen when Saskatoon finally gets a school of architecture.
  12. I wish the public and separate school boards would publish a list of architects of their schools.  These are tremendously important to our community and so little is known of them.  Either that or I am going to have to do it.

The five most popular posts are

  1. Affinity Campus
  2. 2nd Avenue Lofts
  3. Irene & Leslie Dube Centre for Mental Health
  4. John Deere Building
  5. Nuit Blanche

I am biased but there are my two favourites.

  1. Taking a selfie
  2. 2014 PotashCorp International Fringe Festival

2014 Holiday and Christmas Gift Guide for the Women in Your Life

Each year I put together some holiday and Christmas gift guides for the people in your life.  Wendy wrote the first one and here is my first one; a holiday and Christmas guide for the women in your life.  Let me know what you think in the comments below.

Star K Heart Shape 8mm Love Pendant

Star K Heart Shape 8mm Love Pendant

The alluring Original Star K Heart Shape 8mm Love Pendant, crafted in 925 Sterling Silver. This beautiful design is set with 1 Heart Shape stone prong set , 1 stone prong set colorless Round Cubic Zirconia. This product measures 8.00 mm wide, 18.00 mm long and is a great looking while affordable necklace and pendant.

Big Jambox

Wendy has always loved music and has always wanted a massive stereo system.  Since we have a small home, the dream has never come true.  Lucky for Wendy there are some excellent compact speaker systems as options. Here are a few of them.

I have traditionally recommended the Bose Wave home audio system.  It provides legendary sound, is $499 but has fallen behind the times.  It bugs me that even with the new version you have to add an optional and costly Bluetooth receiver to stream music wirelessly from your iPod.  Yet if the women you are shopping for still prefers CDs to iTunes, it is probably the best audio system you can get for her.

For the iPod/Android crowd, I am suggesting you get her a Big Jambox.  

Jambox Big Jambox Speakers

The Big Jambox turns any mobile device (phone, tablet, media player, computer) into a portable, hi-fi sound system that wirelessly delivers amazingly clear, full audio at any volume.  Exclusive LiveAudio technology lets you experience your music like never before—as if you’re sitting front row, hearing it live. This immersive, three-dimensional listening experience brings incredible depth, detail, and unprecedented spatial realism to everything from mp3s to special binaural recordings. It’s like hearing your favorite music and audio content for the first time — the way it was meant to be heard.

Olympus E-PL7 16MP Compact System Camera with 3-Inch LCD with 14-42mm IIR Lens

Olympus PEN E-EL7 camera

I bought Wendy an Olympus PEN last year and she loved it.  Over the year we added a couple of lens (I recommend the Olympus 40-150mm, the Olympus 45mm f1.8 (Wendy’s favourite lens), the Sigma 19mm, 30mm and 60mm prime lens) a new ThinkTank sling bag, and some other gear.   The result was we took a couple of thousand photos over 2014 and had a great time together.  

The advantage of a mirrorless camera system like Micro 4/3 system (which is used by Olympus and Panosonic) is the size of the cameras and the lenses.  It means in practical terms that you take this camera places you would not take a DSLR.  With 16 megapixel sensors, good (but not amazing) low light sensitivity (if you want great, you need a Sony A7s), you get amazing photos that you can enlarge to almost any size.

If you want something small but with a traditional DSLR form factor, take a look at the Olympus OMD E-M10 for $750.

Canon T5i with 18-135mm lens

If she is looking for more traditional DSLR, then look at the Canon Rebel T5i with the 18-135 lens.  She will be impressed at how simple it is to create breathtaking photos with ease. The incredible image quality and performance starts with an 18.0 Megapixel sensor and Canon’s DIGIC 5 Image Processor. A continuous shooting speed of up to 5.0 fps allows for fast action capture. 9 cross-type AF focus points help ensure crisp focus throughout the frame, and the Hybrid CMOS AF system enables speedy and accurate autofocus when shooting in Live View mode. In addition, the camera is compatible with Canon STM lenses for smooth, quiet AF performance.

You get full HD video, the ability to plug in a shotgun or lavaliere microphone, and access to the enormous Canon EF-S lens family.  You can get a kit with a 18-55mm lens but for the extra $200, the extra range of the 18-135mm lens is worth it.

Samsung Chromebook 

Samsung Chromebook

Samsung’s Chromebook laptop has been deemed by many to be a success. Lightweight, inexpensive and practical as everything operates off your Google Drive, the Chromebook is great for any career woman on the move.

Jean Dubost Laguiole 3-Piece Cheese Knife Set

Jean Dubost Laguiole 3-Piece Cheese Knife Set is a great holiday gift for anyone who loves hosting a great dinner party and doing so in style. 

This set of cheese service knives includes a spreader for soft cheeses like Montrachet a serving knife for Gruyere and Gouda and a cleaver for hard cheeses such as Parmigiano. Sparkling stainless steel handles carry the signature logo of the Laguiole ‘Bee’. A wooden gift and storage box completes this gourmet set.

 
Gold Pendent
Initial jewelry is all the rage. The 14k Gold Circle Disk Letter “A” Pendant showcases a simple yellow-gold design. Resting from an 18-inch cable chain is a gentle yellow gold disk. A capital letter is engraved in the middle of the disk, to personalize the pendant. The simple design is a jewelry box must-have for accessorizing a day-to-day look. A wonderful gift for the holidays.
 
Fast and convenient, the AeroPress Coffee and Espresso Maker makes one of the best cups of coffee you’ll ever taste. This innovative uses the ideal water temperature and gentle air pressure brewing to produce coffee and espresso that has rich flavor with lower acidity and without bitterness. It makes 1 to 4 cups of coffee or espresso (enough for 1 or 2 mugs), features a micro filtered for grit free coffee, and takes just 1 minute to make coffee (actual press time takes only 20 seconds).  It’s the number one selling coffee press on Amazon for a reason.
 
Aeropress Coffee

Bose QuietComfort 15 Acoustic Noise Cancelling Headphones

Wendy works full time and then has to come home to a household of two sons and me.  In other words she puts up with days that make mine seem like a meditation retreat.  Give your wife a break from the chaos with these noise cancelling headphones.  If you are on a budget, check out the Sony MDR-NC7 Noise Cancelling headphones for about $40 or JVC HANC250 Noise Cancelling Headphones for about $120.  I leant Wendy my noise cancelling headphones for a flight to Winnipeg.  She never gave them back.  She will love a pair.
I’m a Mom…
 

I'm a Mom

She’ll love this mug.
 
The R H Forschner by Victorinox Chef’s Knife features an 8-inch blade that is 2-inches wide at the handle. High carbon, stainless steel blade is hand finished at Victorinox in Switzerland by skilled craftsmen. A special tempering process is used to produce an edge that can be resharpened over and over again, so the knife can keep its original sharpness throughout the entire life of the blade.
 

Victorinox 8-inch Chef's Knife

If you are looking for an entire knife block set, check out the Zwilling J.A. Henckels 7-pc Knife Block Set for $120 which is almost $150 off.  The set includes an 8-inch chef’s knife, a 5-inch serrated utility knife, a 4-inch paring knife, and a 2-1/2-inch peeling knife, as well as a sharpening steel and a pair of shears. All components fit within an 11-slot hardwood block, which offers four extra slots for future knife acquisitions.  She’ll love it. You’ll love it.  You’ll pass them on to your kids.
 
Teavana PerfecTea 16 oz Tea Maker
 
It brews the perfect cup of tea every time.  It is the most efficient, simple and clean way to steep tea. Simply add tea and water at the correct temperature, then put the tea maker on your favorite mug to drain. 
 
Teavana Tea Steeper
 
 
WKRP in Cincinnati
 
Like most people with a sense of humour, Wendy is a huge WKRP in Cincinnati fan.  Join everyone’s favorite radio DJs—the rockin’ Dr. Johnny Fever (Howard Hesseman) and the soulful Venus Flytrap (Tim Reid)—as they weave through the inner-office antics of the crazy WKRP staff; including the station’s program director Andy (Gary Sandy), indecisive manager Arthur (Gordon Jump), advertising executive Herb (Frank Bonner) and, of course, the station’s lovely receptionist, Jennifer (Loni Anderson). So sit back and enjoy the sound of uproarious laughter as you watch all episodes of this iconic series.
 
Of course the reason why it was so long of wait to be released was the hassle in obtaining the rights for the original music.  This set has 90% of the music in the set.  The missing music is the music industry being, well the music industry.
 
 
I have a Nike+ Fueband and when I use it, it works great.  It has been supplanted in both men and women’s minds by the FitBit Flex activity tracker.  It tracks steps, distance, and calories burned and shows you how you’re stacking up against your daily goals. At night, it tracks your sleep cycle, helps you learn how to sleep better, and wakes you silently in the morning. Access your stats anytime on your computer, tablet or from leading smartphones – both iPhone and Android.
 
In the age of tablets, Kindles often get relegated in our minds.  If you are buying for a serious reader, there really is only one option and that is a Kindle.  Wired gave it’s predecessor the Kindle Paperwhite a score of 9/10 which is the highest score they have ever given.  Then they come out this year and say the Kindle Voyage is even better.
 
Kindle Voyage
Here is what you want to know: Yes, the Kindle Voyage is better than the Kindle Paperwhite. It’s thinner, faster, brighter, lighter, newer, has a better screen, has more memory (4GB vs last year’s Paperwhite’s 2GB) commands more magical elf armies, owns a Ferrari, and is nicer to your grandmother.

You can get the Kindle Paperwhite for $119 or the Kindle Voyage for $200.  Remember the Voyage commands elf armies which could come in handy.

So there you go.  I assume I have forgotten, many, many ideas so let me know what I have forgotten the comments below.  You can check out the other Christmas and holiday gift guides while you are at it.

Homeless in Saskatoon

Homeless in Saskatoon

I just posted this photo Bridge City.  I took it today while walking in Cosmopolitan Park by Saskatchewan Crescent.  I thought it was some stuff that had been stolen out of a vehicle but then I noticed the gentlemen sleeping there.  I was going to chat with him but he was soundly sleeping I snapped the photo and left.

Le Renaissance Apartments and the Radisson Hotel

Radisson Hotel

The Radisson Hotel in Saskatoon is the tower on the right. The hotel was completed in 1983 and at 24 stories is the ninth tallest building in the city and contains 291 rooms. The tower on the left is Le Renaissance Apartments and was also completed in 1983. At 24 stories is the tallest building in the city and contains 96 condominiums.

Wendy and I went for a walk early on Thanksgiving morning.  While dodging joggers and dog walkers along Saskatchewan Crescent, we were able to grab a few shots of downtown Saskatoon.

Photobomb

Mark photobombing Wendy

Mark photobombing Wendy as we are about to walk out the door to go to Nuit Blanche.

Autumn in Mayfair

Mayfair Community School

A quick shot of Mayfair Community School as the neighbourhood changes from summer to fall.

Wendy’s perspective of Nuit Blanche

Wendy's shots from Nuit Blanche

Wendy has a great post of photos that she took at Nuit Blanche.  They are some of her best shots in a fairly challenging low light setting.

Nuit Blanche

Nuit Blanche in Saskatoon

I posted some of my photos of Nuit Blanche over at Bridge City this evening.  It was great night for the entire family (we took the boys home over their protests at around 10:00 p.m. before returning) and I can’t wait until it happens again in 2015.

Oliver & Wendy

Oliver and Wendy

This just cracked my 50 most interesting photos of all time on Flickr.  Oliver loved the Fringe but was overcome by a touch of the flu.  He was so sick that he actually turned down ice cream (his loss, my gain).  It was part of a larger group of photos I took at the 2014 Fringe Theatre Festival.

That monkey over there owns the copyright

Monkey in the wilds of Indonesia snaps a selfie with stolen camera and sets off legal battle between nature photographer and Wikipedia.

Monkey Selfie

Slater apparently doesn’t find any humour in what he considers Wikimedia, the organization behind Wikipedia, monkeying with his livelihood.He argues the photos are rightly his. It was his effort and expense that got him to the jungle on the island of Sulawesi with his expensive equipment.

He hired the guide who led him deep into the wilds, where the inquisitive monkey could grab his camera and start snapping.

He has also argued that he would hold the copyright to any images taken by an assistant. In effect, the smiling simian was his assistant that day in the jungle, he reasoned.In an interview, Slater said he has repeatedly asked Wikipedia to take the monkey photos down from Wikimedia Commons.

“They know I claim to hold not just ownership of the image but copyright too,” Slater says.

The Best Lens Options for Your Pentax DSLR

So if you are like me, you own a Pentax DSLR. You love your camera but the lens selection is paltry compared to Canon or Nikon and of course you hear photographers tells you that there isn’t the good glass to go with Pentax.  Even many local camera shops don’t have a great section despite them selling a lot of Pentax K-3 and K-5 IIs cameras in the last year.

So what do you do?  First of all you take a look around online and see what is there.  If you are reading this page, there is a good chance that you are doing just that.  To help you with your search, I have listed around 25 lenses that would all make great additions to any photographers bag.

If you have no idea which lens you want to purchase, ask your local camera shop for advice or check out this video from Pentax.

Ricoh has more about the available Pentax lenses here.

So the next time someone tells you there are not great lenses for the Pentax cameras, remind them of what is out there.  There is some amazing and professional quality glass for your camera.

Each link on the post goes to Amazon.com which offers you some purchasing options and price for each lens.  Since lens price is often moving, it’s easier to check them out there.

Normal Lenses: In photography and cinematography, a normal lens is a lens that reproduces a field of view that generally looks “natural” to a human observer under normal viewing conditions, as compared with lenses with longer or shorter focal lengths which produce an expanded or contracted field of view that distorts the perspective when viewed from a normal viewing distance.

Pentax 35mm DA L F2.4 AL

Pentax 35mm DA L F2.4 AL

This versatile Pentax 35mm DA L F2.4 AL Lens is considered a standard, normal focal length lens for the Pentax DSLRs it was designed for, but it’s a great lens to own, even if you only have one lens. This 35mm lens (equivalent to 52.5mm in 35mm format) is ideal for family photos, portraits, landscapes and a lot more. The fast f2.4 maximum aperture helps you get pictures even in low-light situations, and it provides high-resolution images with edge-to-edge sharpness. An aspherical lens element helps to compensate for spherical aberration to maximize image quality, and PENTAX Super Protect (SP) coating helps repel dust, water, and grease–making the lens easier to clean.

35mm f/1.4 DG HSM Lens

35mm f/1.4 DG HSM Lens

The 35mm f/1.4 DG HSM Lens for Pentax DSLR Cameras from Sigma is the first entry into Sigma’s Art series of professional lenses, with an emphasis on artistic expression and the creative potential of the lens. With a bright f/1.4 maximum aperture, floating inner focusing system, and Hyper Sonic Motor (HSM) you’ll have quick and accurate control over the artistic effects achieved by the lens’ high quality elements.

For wide angle photography, this 35mm lens and its circular 9-bladed f/1.4 aperture ensure excellent brightness and blurred background (bokeh) effects. The Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even in backlit conditions.

The lens’ Hyper Sonic Motor (HSM) and floating inner focusing system ensure that you experience quick, quiet and precise autofocusing whenever you need it. Adjust focus using either autofocus (AF), or full-time manual focus, without having to switch camera modes or change settings – just flick the switch from AF to MF.

For greater build quality and strength, all metallic parts and the new Thermally Stable Composite compound material (TSC), are housed internally. Its brass made bayonet mount has both high accuracy and durability, and a special treatment is applied to its surface giving it greater strength and making it highly resistant to long-term daily use.

Pentax smc DA 50mm f/1.8 Lens

Pentax smc da 50mm f1.8

The smc DA 50mm f/1.8 Lens from Pentax is a fast and inexpensive f/1.8 lens for cameras with a Pentax K mount. Mounted to a camera with an APS-C sensor, this lens gives an angle of view equivalent to a 76.5mm telephoto lens–ideal for portraits. The wide f/1.8 aperture makes this an essential lens for working in low light, and it also delivers beautiful bokeh (the out-of-focus portion of a photograph). This lightweight (4.3 oz) lens is very compact–just 1.5″ (3.8 cm) long.

Pentax Normal SMCP-FA 50mm f/1.4 Autofocus Lens

Pentax 50mm f/1.4 Lens.png

A standard lens for Pentax autofocus cameras with a bright f/1.4 aperture.  The SMCP-FA 50mm f/1.4 is an excellent choice for lowlight handheld photography, and effectively becomes a brilliant short telephoto portrait lens when used with your Pentax DSLR.  The Pentax Super Multi Coating process provides the highest possible transmission of light.

Portrait Lenses: a prime lens with a relatively high aperture and usually a means for softening definition in taking portraits

Pentax 55mm f/1.4 DA* SDM Autofocus Lens

Pentax 55mm f/1.4 SDM Lens

The Pentax 55mm f/1.4 DA* SDM Autofocus Lens is a compact and bright short-telephoto lens of the highest order, made exclusively for Pentax digital SLR cameras.  In a stocky housing ready for harsh conditions, you’ll get a bright f/1.4 aperture-worlds away from the experience you’re used to with more common zooms-that opens up new creative doors to you as a photographer.

This lens was born to shoot between f/1.4 and f/2.8, and comes with a 9-bladed aperture diaphragm which shows up as perfectly round when you stay between f/1.4-2.8.  Shoot dramatic portraits with bright point light sources behind the subject, and you’ll be dazzled with lovely diffuse, circular out-of-focus highlights that make everybody look better.  Beyond portraits, this lens works well any time you would use a moderate telephoto focal length.

Sigma 85mm f/1.4 EX DG HSM Lens

Sigma 85mm f/1.4.jpg

When you need a medium-telephoto standard lens for everything from portraiture to sports, the fast Sigma 85mm f/1.4 EX DG HSM Lens for Pentax Digital SLRs is a great solution. This large aperture beauty is designed with an SLD (Special Low Dispersion) glass element and a glass mold element which yield first-class, sharp image captures with high contrast.

The 85mm f/1.4 has Sigma’s HSM (Hyper Sonic Motor) which provides fast, accurate and quiet autofocusing. The exterior of this lens is EX-finished which translates to a superior build and optical quality, enhanced handling and appearance. It comes with a petal-type hood to block out extraneous light. A dedicated hood adapter for cameras with an APS-C size image sensor is also included to expand the length of the hood for blocking out extraneous light more effectively.

This fast f/1.4 lens is great for capturing fast moving images, allowing you to use faster shutter speeds, and is what you want when shooting under low lighting conditions. This highly efficient lens has a nine blade circular diaphragm for creating pleasant out-of-focus highlights (bokeh) which is a major asset to portrait and wedding photographers.

Short Telephoto Lenses

Sigma 18-35mm f/1.8 DC HSM Lens

Sigma 18-35mm f/1.8 ART lens

The Sigma 18-35mm f/1.8 DC HSM Lens for Pentax is a wide-angle to normal-length zoom lens that features a fast, bright constant f/1.8 maximum aperture. It is specifically designed for use with APS-C-sized sensors and provides a 35mm-equivalent focal length range of 27-52.5mm.

The lens integrates four aspherical elements into its construction as well as five Special Low Dispersion (SLD) glass elements to help minimize various aberrations and distortions throughout the zoom range as well as provide greater image sharpness and clarity. A Super Multi-Layer Coating has also been applied to lens elements to reduce surface reflections, lens flare, and ghosting to produce images with higher contrast and color fidelity. The lens barrel design is constructed from a Thermally Stable Composite (TSC) material that is akin to metal in texture and resistance to temperature and environmental changes while also remaining lightweight and compact. An internal focusing and zooming mechanism also helps to maintain a compact and consistent overall length and non-rotating front ring also better enables the use of circular polarizing filters. For control of focus, a Hyper Sonic Motor (HSM) is used to ensure fast, precise, and quiet focusing capabilities that are well suited to continuous shooting and movie recording.

This lens is part of Sigma’s Art line; deeming it well-suited to creative image making due to its large, constant f/1.8 maximum aperture and ability to produce aesthetic bokeh by way of a nine-blade circular diaphragm. The range of focal lengths it covers, from wide-angle to normal-length, is nicely situated for everyday and artistic shooting applications.

Pentax DA* 16-50mm f/2.8ED AL [IF] SDM Lens

Pentax 16-50 f/2.8 lens

 

Pentax DA* 16-50mm f/2.8ED AL [IF] SDM Lens is a high-quality bright f/2.8 lens. This lens brings together advanced optical technologies, including aspherical elements, special optical-glass elements, and original lens coatings. It offers a versatile ultra-wide to medium-telephoto zoom range, and can be used as the ideal standard zoom lens in a wide variety of applications, including landscape, snapshot and portrait.

Walk Around Lens

I love a good walk around lens.  There are times when I don’t know what I am going to expect when I go out with my camera .  I could be shooting wide or long.  The quality may not be as good as a prime but sometimes you need more versatility than you need sharpness or low light performance.

Pentax SMC DA 18-135mm F/3.5-5.6 ED AL (IF) DC WR Lens

Pentax 18-135mm F/3.5-5.6 WR Lens

You may already have this lens.  It’s offered in some kits as an alternative to the 18-55 lens.  If you have the option of getting it, make sure you do as it is well worth the price.  If it doesn’t come in a kit, you may want to consider picking it up.  It’s got a decent range, is decently sharp, and is weather resistant.  It offers a focal length that is equivalent (in 35mm format) from 27.5 to 207mm. This wide coverage is ideal for a variety of telephoto applications, including portraiture, sports and scenery.

The image circle in DA-series lenses is designed to perfectly match the 23.5mm x 15.7mm size of the CCD used in Pentax digital SLRs to optimize camera performance. This design also contributes to a drastic reduction in size, weight and production cost compared to 35mm-format counterparts with similar specifications.

Pentax DA (DA-Star) zoom lenses come equipped with the SDM System, which assures smoother, quieter auto-focusing operation by using a built-in supersonic motor. Like all Pentax lenses, this lens is treated with smc coating for maximum light transmission, sharp definition, and high contrast images.

Tamron AF 18-200mm F/3.5-6.3 XR Di-II LD Aspherical (IF) MACRO 

Tamron 18-200mm Zoom Lens for Pentax DSLRs.jpg

The Tamron AF18-200mm F/3.5-6.3 XR Di-II LD Aspherical (IF) MACRO is a high power zoom lens designed exclusively for digital SLR cameras using the more compact (APS-C) digital size image sensors. The focal length of this lens is equivalent to approx. 28-300mm in 35mm format.

Designed as an “all-in-one” lens, it will meet almost all photographic opportunities without changing lenses.

The 18-200mm zoom lens realizes an MFD (Minimum Focus Distance) of 1.5′ (45 cm) over the entire zoom range by the employment of a new optical/mechanical design configuration. Since the maximum magnification ratio at f=200mm is 1:3.7, you can enjoy close-up photography easily and conveniently.

Sigma 18-250mm F3.5-6.3 DC Macro HSM Lens

Sigma 18-250mm walk around lens for Pentax DSLR

The 18-250mm F3.5-6.3 DC Macro HSM from Sigma is an incredibly versatile lens that is a real jack-of-all-trades lens you can carry in any situation. With a focal length spanning from a wide-angle 18mm up to a 250 mm telephoto zoom, with macro capabilities to boot, Sigma’s 18-250mm could easily be your camera’s first all-in-one lens, or a great replacement for several smaller lenses that you’re looking to consolidate.

Sigma redesigned the optical and structural design of this lens in order to achieve a relatively compact size, at 4.0″ long, as well as a close minimum focusing distance of 13.8″ for macro photography. Their Thermally Stable Composite (TSC) construction maintains the structure of the lens, with little variation despite changing temperatures. The lens also incorporates a brass-made bayonet mount, to further reinforce the lenses durability and resistance to wear and tear over time.

The minimum focusing distance is the same throughout the focal length of the entire zoom range, and provides a maximum magnification ratio of 1:2.9. As an added benefit over fixed focal length macro lenses, the size and framing of subjects can quickly and easily be adjusted by rotating the zoom ring. For even further convenience, at each focusing distance on the side of the lens barrel, the maximum magnification ratio is also displayed.

For high image quality, you know you’ve got to have high quality glass, and Sigma has incorporated their Special Low Dispersion (SLD) glass element into the 18-250mm. In addition to the SLD element, three aspherical lenses, including a double-sided aspherical lens, have been used in the lens’ construction–offering excellent correction of color aberration, for better clarity and quality of images throughout the zoom range.

A Super Multi-Layer Coating has also been employed to reduce flare and ghosting with this lens. This makes it resistant to strong incident light, such as backlight behind a subject, providing sharper, high contrast images even shooting into a light source. To prevent internal reflections from occurring, the included petal-type lens hood can be attached in order to block out extraneous light.

For a lens that offers a wide-angle to telephoto focal length, and the ability to zoom-in with macro photography, Sigma’s 18-250mm F3.5-6.3 DC Macro HSM made for Pentax cameras is more than a match. Whether you’re on a macro product shoot, a walk in the park, or have a wedding to go to, this lens will help you shoot high quality images in any situation.

Pentax smc DA 18-270mm f/3.5-6.3 ED SDM Lens

Pentax smc 18 270mm lens 1 1358880197

The Pentax smc Pentax-DA 18-270mm f/3.5-6.3 ED SDM Lens is an all-encompassing zoom lens, featuring a 15x zoom rangefrom a wide 18mm to a long 270mm (equivalent to 27.5-414mm in 35mm format). Benefitting the long reach of this lens, two extra-low dispersion elements have been incorporated into the lens construction to help reduce chromatic aberration and improve overall image clarity. A minimum focus distance of 1.6′ across the entire zoom range also makes this lens an effective tool for macro and close-up work.

Telephoto Lens: In photography and cinematography, a telephoto lens is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a telephoto group that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as telephoto lenses although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group.

Telephoto lenses are sometimes broken into the further sub-types of medium telephoto: lenses covering between a 30° and 10° field of view (85mm to 135mm in 35mm film format), and super telephoto: lenses covering between 8° through less than 1° field of view (over 300mm in 35mm film format).

Pentax HD Pentax-DA 55-300mm f/4-5.8 ED WR Lens

Pentax 55-300mm f/4.8 WR Lens

The HD Pentax-DA 55-300mm f/4-5.8 ED WR Lens from Pentax is a portrait-length to telephoto zoom lens that provides a 35mm-equivalent focal range of 84.5-460mm. This extensive zoom range is complemented by the inclusion of two extra-low dispersion glass elements, which work to minimize chromatic aberrations and enhance overall image sharpness and clarity. A high-grade multi-layer HD coating has been applied to lens elements to help minimize flare and ghosting for enhanced contrast and, additionally, an SP Protect coating has also been applied to the front lens element to effectively protect it from dirt, oil, and finger prints.

Sigma 70-200mm f/2.8 EX DG APO OS HSM

Sigma 70-100 f/2.8 lens for Pentax DSLR cameras

The Sigma 70-200mm f/2.8 EX DG APO OS HSM for Pentax is the second generation of large-aperture telephoto zoom lenses incorporating Sigma’s OS (Optical Stabilizer) anti-shake system. It offers the equivalent of shooting at shutter speeds 3 to 4 stops slower than without OS, thus allowing handheld telephoto zoom shooting even in poorly lit conditions. Its HSM ensures quiet and high speed AF as well as full-time manual focusing.

It features a large maximum aperture of f/2.8 that remains constant throughout the zoom range, making it incredibly valuable when shooting in low light situations such as weddings or other events. It is also great when shooting fast-moving subjects such as sports, when fast shutter speeds are needed to capture fleeting moments. The 70-200mm f/2.8 is fast and versatile and at a length of 7.8 (19.8cm) will be a tool that seldom sees the inside of your camera bag. The lens comes with a petal-type lens hood plus an adapter to extend its length for users with APS-c cameras.

Tamron 70-200mm f/2.8 Di LD (IF) Macro AF Lens

Tamron 70 200 lens

 

The Tamron 70-200mm f/2.8 Di LD (IF) Macro Lens is a telephoto zoom lens that has a large maximum aperture of f/2.8 which remains constant throughout the zoom range. It also offers an excellent “close-focusing-distance” minimum of just 3.1′ (0.95 m) throughout its entire zoom range, with a maximum macro magnification ratio of 1:3.1 at f=200mm. When mounted on an APS-C sensor size digital SLR camera, it provides a focal length equivalent of 105-300mm.

The advantage that the Tamron has over the Sigma is cost.  While it lacks image stabilization, your Pentax camera has that built into the body which means that you don’t need it.  This lets you save the money and still get great performance in that distance.

Sigma 50-500mm F/4.5-6.3 APO DG OS HSM Lens

Sigma 50-500mm lens for Pentax DSLR cameras

This Sigma 50-500mm F/4.5-6.3 APO DG OS HSM Lens for Pentax covers a lot of ground. The 10x zoom can be used on everything from landscape and portrait photos to sports action and wildlife photography. It uses 4 Special Low Dispersion (SLD) glass elements for optimum color correction and sharpness through the entire zoom range, and a Hyper-Sonic Motor (HSM) provides quiet and high-speed auto focusing. The Optical Stabilization (OS) system allows you to use the lens even off a tripod to capture sharp, clear photos.

This 50-500mm lens is designed for use with Pentax DSLR cameras–with an APS-C-sized sensor, the effective zoom range is approximately 75-750mm in 35mm equivalent.

While around $500 more than the Sigma 150 to 500, it is slightly sharper so keep that in mind when you are considering which one to get.

Sigma 150-500mm f/5-6.3 DG OS HSM APO Autofocus Lens for Pentax

Sigma 150-500mm lens for Pentax DSLR cameras

This Sigma 150-500mm f/5-6.3 DG OS HSM APO Lens for Pentax is for digital SLR cameras with a Pentax K lens mount. It is an ultra telephoto zoom lens ideal for nature, wildlife, or sports photography. This zoom range translates into an equivalent range of 225-750mm when used with digital SLR cameras with an APS size sensor.

The OS (Optical Stabilizer) system minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed 3-4 stops faster. This allows handheld telephoto zoom shooting even in poorly lit conditions.

The use of the OS (Optical Stabilizer) system, HSM (Hyper Sonic Motor), APO apochromatic design, three elements of SLD (Special Low Dispersion) glass, and multicoated optics all enable this lens to provide a high level of performance throughout its entire zoom range, as well as versatility. A rear focus system insures quick, convenient manual focus and a non-rotating front barrel.

The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance, while cutting down on ghosting caused by reflections from the digital image sensor. The lens provides the utmost correction against lateral chromatic aberration, which is a serious problem for digital SLR cameras.

Pentax SMCP-DA* 300mm f/4 ED (IF) SDM Autofocus Lens for Digital SLR

Pentax smc DA 300mm F4 ED IF SDM

The Pentax SMCP-DA* 300mm f/4 ED (IF) SDM Lens is a high-quality telephoto lens that is designed for exclusive use with Pentax digital SLR cameras. It offers a focal length that is equivalent (in 35mm format) to 450mm. This wide coverage is ideal for a variety of telephoto applications, including portraiture, sports and scenery.

Pentax DA* (DA-Star) zoom lenses come equipped with the SDM System, which assures smoother, quieter auto-focusing operation by using a built-in supersonic motor. When mounted on the K10D digital SLR camera body, the focus mode is automatically switched to SDM-assisted auto-focusing. When mounted on older Pentax digital SLR camera bodies, the conventional autofocus mode using a camera-mounted motor is selected.

Sigma 500mm f/4.5 EX DG APO Autofocus Lens

Sigma 500mm f/4.5 lens for Pentax DSLR

This Sigma 500mm f/4.5 EX DG APO lens is an Apochromatic ultra-telephoto lens with a fast f/4.5 maximum aperture, and it incorporates two ELD (Extraordinary Low Dispersion) glass elements to reduce chromatic aberration to a minimum. Internal focus enables responsive and fast autofocus speed.

The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance whilst cutting down on ghosting caused by reflections from the digital image sensor. The lens provides the utmost correction against lateral chromatic aberration which is a serious problem for digital SLR cameras.

By adding the optional Sigma APO teleconverter, you can use this lens as a 700mm f/6.3 MF ultra-telephoto lens with a 1.4x EX teleconverter, or as a 1000mm f/9 MF ultra-telephoto lens with a 2x teleconverter.

Macro

Pentax smc Pentax-D FA 100mm f/2.8 WR Macro Lens

Pentax DA FA Macro 100mm f2 8 WR

 

Optimized for DSLRs and compatible with film SLR cameras, the smc PENTAX-D FA 100mm f/2.8 WR Macro Lens is constructed with an aluminum housing and 6 weather seals (thus the WR designation) so you can shoot in almost any environment without risking internal damage to the lens. Optical elements are treated with the Pentax Super Protect multi-layer coating to lower surface reflection, reduce ultraviolet rays, and deliver clear, high-contrast images. Plus, the configurations of its optical elements produce crisp, sharp images with no flare and ghosting. It also features a “Quick Shift” focusing system which allows you to easily switch between manual and AF modes.

Achieving life-size (1:1) magnification, this macro lens is ideal for the close-up photography including, but not limited to, nature, technical, medical or product applications. It is also great for portraiture. Its 8 rounded diaphragm blade configuration assists in producing out-of-focus areas of your images with a pleasing look.

Wide Angle Lens: The terms “wide-angle” and “telephoto” are based on the different angles of view they provide when compared with a normal lens. A wide-angle lens captures a wider angle of view than a normal lens does. There is no single wide-angle lens, but rather a variety of lenses that give wider and wider angles of view, some of which are classified as super or ultra wide-angle lenses, and the widest of all – fish-eye lenses. Lenses considered to be wide-angle include the 35 mm, 28 mm and 24 mm varieties, with the 28 mm being the “standard” wide-angle lens. Super wide angle lenses then take over, and run from 20 mm to about 13 mm.

Sigma 10-20mm f/4-5.6 EX DC J Autofocus Lens

Sigma 10-20mm wide angle lens for Pentax DSLR cameras

The Sigma 10-20mm f/4-5.6 EX DC lens offers a super-wide zoom solution to digital cameras, and was exclusively designed to suit the characteristics of digital SLR cameras. The super wide-angle capability of this zoom lens (equivalent range of approx. 15-30mm when used with a Pentax digital SLR camera makes it a very powerful tool for both indoor and landscape photography.

Flickr: Oliver

As I mentioned before, I gave Oliver my old Fujifilm J10 for his birthday.  The camera has served me well but it is obsolete and has been replaced.  That being said, it is perfect for a six year old who loves taking photos.

To show off those photos, Oliver is now on Flickr at flickr.com/oliver_cooper.  His perspective is a little lower to the ground than most of us but he manages to get some fun shots.  Since your first 10,000 photos are going to be your worst, he is well ahead of many of us in that regard.

Maggi ready to go to the lake

Of course the bad news is that he still can barely read and doesn’t have a computer.  At the same time he is rather particular about his photos which means that I get to argue with him every time I downtown his card over which photo is any good or not.  So far I am winning (no selfies) but that won’t continue for long.

I Died Today

Heart breaking photo essay about a family dog’s last day on earth.

I Died Today. By, Duke Roberts

How to capture brilliant firework photos

How to take brilliant fireworks photos

Summer is known for great fireworks displays. Olympus is known for great camera scene modes. Coincidence? No way. Your first step in taking great pictures of fireworks is to simply select the Fireworks Scene Mode. The camera will then slow the shutter speed value and set the focusing point to infinity (∞).

If your camera doesn?t have scene modes (i.e. the E-1, E-3 & E-5) or is able to support a high-level of manual control, set the camera to manual mode (M) and adjust the shutter speed and aperture. Setting the aperture to F8 and a shutter speed of 3 to 4 seconds should give good results. Set the ISO sensitivity to 100 or 80. And don’t forget to change to MF (manual focus) and set the focusing point to infinity (∞).

The weekend that was

On Friday evening we headed to the cabin for what we expected was going to be a wet and miserable weekend.  It was but we had a good time.

Oliver was quite sick on Friday morning which meant that Wendy took the day off.  His daycare has a thing about vomitting kids…  They picked me up at work and we were off to the lake and got in there in decent time.

I am nursing an incredibly sore hip so I hobbled in and went to bed.  The boys took Maggi for a long walk and swim in the lake and I was awoken by a wet dog looking to warm up with someone.  Saturday I picked up Oliver’s flu and felt horrible.  Wendy delegated the job of packing Oliver’s stuff to Mark and he didn’t pack any socks and underwear for Oliver so off to Regina we went.  18km of really soft and sloppy roads were not a lot of fun to drive but we made it to the highway.

The rain kept falling the entire time we were in Regina and the road was a slippery and muddy mess by the time we got back to Cymric.  It was a long slow drive back to the cabin where I managed to lose control once.  Not only that but we realized it was going to rain all night and into Sunday. 

I woke up on Sunday morning to a gift of a photography book by Tom Ang, A Walkable City by Jeff Speck, a Black Rapid camera strap, and an podcast attachment for my iPhone.

Here is Speck speaking to TED.

So yeah the drive home was brutal.  The car was covered in mud and it was hard to keep it on the road.  For those who feel that Saskatchewan should be converting more highways into gravel, I respectfully disagree.  The sand base of that road makes more slippery then ice when wet.  So yeah, let’s pave the entire province.